A media analysis of the film 'Psycho' by Alfred Hitchcock. Looking specifically at voyeurism, third person narrative and the roles of both male and female characters.

From the moment when Marian pulls up in her car alfresco the motel, there is a tense atmosphere which is created by the crowing die hard and the situation that she arrived in the dark. Using this place makes us (the audience) retrieve slightly anxious even from the beginning, and likewise by using the second psyche camera angles we argon made to feel like voyeurs watching Marian and her actions. When we atomic number 18 wanted to localize on a specific person or object, the camera changes to create a point of blot pinch where we are seeing things through Marians eyes and so we go to sleep merely what she is looking at. In order to congeal a scene the camera tends to pan around kinda slowly so that we crapper take in where a certain character is at any time. Once she gets give away of her car and has tried strike at the office opening with no success, the camera changes to her point of view looking up at the main brook. The whole theatre is visualized i n darkness with a light in ane window, this makes the attestant see the house as quite sinister. Once our focus is on the house a shadow of a human being is shown walking across the window, at the time we do non know who this is but by and by on in this helping of the film we discover that he is in item Norman, the proprietor of the motel. We soon learn that Norman has a possessive Mother, who does non like any other women coming near him. The fact that we only see his shadow when Marian arrives, represents the idea that he is not entirely himself and that his Mother over-shadows him. After Marian sees that there is someone in the house she gets back... If you want to get a full essay, order it on our website: OrderEssay.net

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